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Unless otherwise noted, performances for all shows are Friday and Saturday at 8:00 p.m. and Sunday matinees at 2:00 p.m
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Instead of relishing life after her heart transplant, Joy enters a downward spiral, unsure whether she truly deserves a second chance. Meanwhile, Alice and Hank mourn the loss of their son, Jack, whose heart was used to save Joy. At a friend's urging, Joy tracks down Jack's family to find closure. But are Alice, Hank, and their daughter Sammy ready to accept Jack's death? Based on a true story, The Tin Woman uses humor and pathos to explore loss, family, and what it means to be given new life.
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
Shakespeare's merry comedy of marriage, wealth, jealousy, and lies: Sir John Falstaff plans to hustle his way to comfortable retirement by seducing the wives of two wealthy men. But it’s the women of Windsor who pull the strings in this story...
This is the story of what happened in the hotel room next to the hotel room where Ann was whisked out of the bed and into the Manhattan night by King Kong. There's always a backstory. Myron Siegel is a low-end Broadway producer who desperately wants to be high end. Trouble is, he has, for his entire career, been sabotaged by his arch rival, who is ultra-famous for making movies about scary jungle creatures. That producer's father and Myron's father were also rivals back in the day, and the legacy has lived on. As the play opens, Myron has just learned that the rival producer has booked a theatre directly across from the theatre where Myron's potential bonanza, Foxy Felicia, is about to open. Nobody on the rialto knows what he's up to, but it's big. It's BIG! Myron gathers his entourage—his sassy mother, his gangster henchman, his Hungarian backer and his wide-eyed niece straight off the bus from Buffalo—and concocts a plan to find out what the mystery show is all about. What he discovers is that the show is about a monkey. A very large monkey. He also learns that the rival is sleeping with his wife and plans to steal both her and Foxy Felicia away from Myron. As the story unfolds, the seven doors on the set fly open and slam shut constantly. There are also mistaken identity, pies in the face, deceit, underhandedness and even a couple of romances. And every moment is meticulously coordinated with the events depicted in the 1933 movie.
Arti Doll:
It's forty years in the future. Jeff Nichols brings an artificial intelligence robotic companion (aka an Arti Doll) home a few days prior to a visit by his brother, Ben. Ben happens to be the chief scientist for the SETI Institute and is announcing the incredible news that first contact with an extraterrestrial intelligence has been made. Arti Doll and Alexa (yes--that Alexa) appear to be conspiring to terrorize Jeff and Pam. But why? It's a comedic mash-up of horror and science fiction.
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Historical Mutilations:
In the summer of 1969, a musician named Gary Hinman was tortured and stabbed to death in his Topanga Canyon home. At the time, police considered the killing as nothing more than just an unsolved hippie murder. Later, however, Hinman's death was believed to spark the beginning of what Charles Manson and his followers referred to as the "Helter Skelter." This docudrama depicts the altercation between a man known as the "forgotten victim" and someone considered to the "the most dangerous man alive."

 *This is our annual children's production. Evening performances begin at 7:30pm.
Summer has come to a crashing halt in the little town of Watertower. The kids don't want to be back in school; they are listless and bored. Suddenly, the classroom door bursts open and there, wearing pajamas and cowboy boots, stands red-headed Gooney Bird Greene! "Hi! My name is Gooney Bird Greene—that's like the color with a silent 'e' on the end and I like to be smack in the middle of everything!" The class is never the same again. Gooney Bird speaks with confidence and dresses in outrageous outfits including Capri pants, blue knee socks, high-topped basketball sneakers, and elbow-length black gloves. But most wondrous of all, she casts herself as the hero in the most improbable, outlandish stories: how she arrived from China on a flying carpet, how she got a lovely pair of diamond earrings at the local palace, how she directed a symphony orchestra while driving through the center of town, and how her beloved cat, Catman, was consumed by a cow! Are these stories really true? Of course they are because, as Gooney Bird proudly proclaims, she only tells "absolutely true stories!" In blending funny and memorable characters with colorful details and her distinctive flair for suspense, Gooney Bird awakens the students' dormant imaginations. They come to realize their lives are as unique as Gooney Bird's and that they, too, can cast themselves as the heroes in their own true tales of discovery and adventure.

*This is our annual musical.
MUSICAL

In a Berlin nightclub, as the 1920's draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer newly arrived in Berlin, is immediately taken with English singer Sally Bowles. Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally's boarding house, tentatively begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include "Willkommen," "Cabaret," "Don't Tell Mama" and "Two Ladies."

​This version was updated for the 1998 Broadway Revival.
The New York Times proclaims Puffs “A fast-paced romp through the ‘Seven Increasingly Eventful Years at a Certain School of Magic and Magic.’ For Potterphiliacs who grew up alongside Potter and are eager to revisit that world, Puffs exudes a jovial, winking fondness for all things Harry!”
This clever and inventive play “never goes more than a minute without a laugh” (Nerdist) giving you a new look at a familiar adventure from the perspective of three potential heroes just trying to make it through a magic school that proves to be very dangerous for children. Alongside them are the Puffs, a group of well-meaning, loyal outsiders with a thing for badgers “who are so lovable and relatable, you’ll leave the theater wishing they were in the stories all along” (Hollywood Life). Their “hilariously heartfelt!” (Metro) and epic journey takes the classic story to new places and reimagines what a boy wizard hero can be.
Puffs is not authorized, sanctioned, licensed or endorsed by J.K Rowling, Warner Bros. or any person or company associated with the Harry Potter books, films or play.
A Twisted Christmas Carol is a Texas spoof of Charles Dickens' classic A Christmas Carol. It’s Christmas Eve in a small west Texas town, and cantankerous barbecue joint owner Buford Johnson gets in an argument with his wife Darla, tells her he's skipping Christmas, storms out of the restaurant, goes four-wheeling in his pickup, gets hit by a twister, rolls his truck, and goes into a coma. He comes back in his dream where he's visited by ex-business partner, Hank Walker, who plays the ghost of Christmas past, present, and future. Hank takes Buford on a journey similar to Scrooge's in A Christmas Carol, only Texas-style.