|
All auditions are Monday and Tuesday of the audition dates at 6:30 pm in the Green Room at TOTS unless otherwise noted.
Callbacks, if needed, are on Wednesday of the audition dates. |
The Addams Family: A New Musical Comedy
|
MUSICAL
THE ADDAMS FAMILY, a comical feast that embraces the wackiness in every family, features an original story and it’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family– a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before– keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. Please prepare a song in the style of the musical. Songs from the musical are acceptable. An accompanist will not be available, so please have an accompaniment track available. We will provide a blue tooth speaker and aux cord. Auditions will also consist of cold reads and a dance combination. Please check back in May for a link to a video to learn the dance combination PRIOR to auditions. |
Rocket Man
|
ROCKET MAN is a serious comedy about the road not taken. Donny Rowan has placed everything he owns on his front lawn, along with a sign that reads: "Here's my life. Make an offer." He has cut a skylight into his attic and placed his E-Z Boy recliner underneath—where he can sit, staring at the stars. Somewhere in the universe, Donny believes, is a place where all the roads we never chose converge. ROCKET MAN explores one man's obsessive desire to find this "parallel world"—and the profound effect of his decision on his family and friends.
Auditions will consist of cold reads. |
Mrs. Bob Cratchit's Wild Christmas Binge
|
In this departure from Dickens, young Scrooge's exclamations of "Bah, humbug!" are an undiagnosed "kind of seasonal Tourette's Syndrome," and The Ghost of Christmas Past is played by a sassy African-American woman with enough attitude to portray all three spirits (which she does). She tries to show Scrooge his past, present and future in order to change him, but her magic keeps malfunctioning in Durang's version of the beloved holiday classic, and they consistently find themselves transported to the wrong time and place. She tries to take Scrooge back to see his old employers, the Fezziwigs—"always an audience favorite"—but instead she and Scrooge keep appearing in the present at the Cratchit's pathetic home. Mrs. Bob Cratchit, a minor character in the Dickens, takes center stage here. No longer loving and long suffering, Mrs. Bob is in a rage: She's sick of Tiny Tim (the goody-goody crippled child), she hates her twenty other children (most of them confined to the root cellar), including oversized Little Nell, and she wants to get drunk and jump off London Bridge. As the Ghost loses more control, the plot morphs into parodies of Oliver Twist, "The Gift of the Magi" and It's a Wonderful Life. And to make matters worse, Scrooge and Mrs. Bob seem to be kindred souls falling in love. With a dénouement that is two parts Touched by an Angel and one part The Queen of Mean, Scrooge's tale of redemption and gentle grace is placed squarely on its head.
Auditions will consist of cold reads and ensemble exercises. |